• HIYAR DOSH KAHAN āĻšāĻŋ⧟āĻžāϰ āĻĻāĻļ āĻ•āĻžāĻšāύ

    āĻĒā§āϰāĻ¤ā§āϝ⧇āĻ•āϟāĻŋ āĻ—āĻ˛ā§āĻĒ āĻœā§€āĻŦāύ āĻĨ⧇āϕ⧇ āύ⧇āĻ“ā§ŸāĻž, āĻšā§‡āύāĻž āϕ⧁āĻļā§€āϞāĻŦ, āĻšā§‡āύāĻž āĻŽāĻžā§āϚ, āĻšā§‡āύāĻž āϏāĻŦ āĨ¤ āĻ•āĻŋāĻ¨ā§āϤ⧁ āϏāĻŦ āĻšā§‡āύāĻž āĻŦā§‹āϧāĻšā§Ÿ āĻšā§‡āύāĻž āĻšā§Ÿ āύāĻžāĨ¤ āĻ—āĻ˛ā§āĻĒ⧇āϰ āĻŽāĻ§ā§āϝ⧇ āĻ…āĻ¨ā§āϝ āĻ—āĻ˛ā§āĻĒ āϞ⧁āĻ•āĻŋā§Ÿā§‡ āĻĨāĻžāϕ⧇, āĻŦāĻžāĻ¸ā§āϤāĻŦ āĻ•āĻ–āύ āĻ…āϜāĻžāĻ¨ā§āϤ⧇ āĻĒāϰāĻžāĻŦāĻžāĻ¸ā§āϤāĻŦ āϛ⧁āĻā§Ÿā§‡ āĻŦāϏ⧇ āϏ⧇ āĻ•āĻĨāĻž āĻ—āĻ˛ā§āĻĒ⧇āϰ āϕ⧁āĻļā§€āϞāĻŦāĻ“ āϜāĻžāύ⧇āύāĻž, āĻšāĻŋāϝāĻŧāĻž āĻŦāϞ⧇āϛ⧇ āϏ⧇āχ āϏāĻŦ āĻ—āĻ˛ā§āĻĒ āĨ¤

    āĻāχ āĻšā§‡āύāĻž āĻ›āϕ⧇āϰ āĻ…āĻšā§‡āύāĻž āĻ…-āĻĒāϰāĻžāĻŦāĻžāĻ¸ā§āϤāĻŦ⧇ āĻĒāĻžāĻ āĻ• āĻĒāĻžāĻ āĻŋāĻ•āĻžāϕ⧇ āĻ¸ā§āĻŦāĻžāĻ—āϤāĻŽāĨ¤ āϝ⧇ āĻŽāĻžāύ⧁āώ āĻŦāĻž ‘āύāĻž āĻŽāĻžāύ⧁āώāĻ•ā§‡â€™ āφāĻŽāϰāĻž āϚāĻŋāύ⧇āĻ“ āϚāĻŋāύāĻŋ āύāĻž, āϝ⧇ āϘāϟāύāĻž āύāĻŋ⧟āϤ āĻšā§‹āϖ⧇āϰ āϏāĻžāĻŽāύ⧇ āϘāĻŸā§‡ āϚāϞ⧇āϛ⧇, āĻāχ āĻŦāĻŋāϚāĻŋāĻ¤ā§āϰ āύāĻžāϟāĻŽāĻžā§āĻšā§‡ āĻŽāĻžāύ⧁āώ⧇āϰ āĻ…āĻ¨ā§āϤāϰāĻžāĻ¤ā§āĻŽāĻž āύāĻŋāĻœā§‡āϰ āĻ…āϜāĻžāĻ¨ā§āϤ⧇ āϝ⧇ āĻ…āĻĻā§āϭ⧁āϤ āĻ—āĻ˛ā§āĻĒāϗ⧁āϞ⧋ āϞāĻŋāϖ⧇ āϚāϞ⧇āϛ⧇ āύāĻŋāĻļā§āĻŦāĻžāϏ āĻĒā§āϰāĻļā§āĻŦāĻžāϏ⧇, āĻŽā§āĻšā§‚āĻ°ā§āϤāϗ⧁āϞ⧋āϰ āĻ­āĻžāρāĻœā§‡ āĻ­āĻžāρāĻœā§‡, āĻšāĻŋ⧟āĻž āϏ⧇āχ āĻ…āϏāĻŽā§āĻ­āĻŦ⧇āϰ āĻ•āĻ˛ā§āĻĒāĻ•āĻĨāĻžāϰ āĻ—āĻ˛ā§āĻĒāĻ•āĻĨāĻžāϕ⧇ āĻāĻ•āĻžāĻ¨ā§āϤ āϝāϤāύ⧇ āϤ⧁āϞ⧇ āĻāύ⧇āϛ⧇ āĻĒāĻžāĻ āϕ⧇āϰ āĻĻāϰāĻŦāĻžāϰ⧇, āĻĻāĻļāϟāĻŋ āĻŽāύāύ⧇āϰ āϏāĻŋāĻ˛ā§ā§Ÿā§‡āϟ āĻĻāĻŋā§Ÿā§‡ āϏāĻžāϜāĻžāύ⧋ āϕ⧋āϞāĻžāĻœā§‡āĨ¤ āϤāĻžāχ āϏ⧇āχ āϏāĻŦ āĻ—āĻ˛ā§āĻĒ āĻļ⧁āϰ⧁ āĻ•āϰāϞ⧇ āĻļ⧇āώ āύāĻž āĻĻ⧇āϖ⧇ āĻĨāĻžāĻŽāĻž āϝāĻžāĻŦ⧇ āĻŦāϞ⧇ āĻŽāύ⧇ āĻšā§Ÿ āύāĻž – āĻāχ ‘āĻ“āĻĒ⧇āύ āĻšā§āϝāĻžāϞ⧇āĻžā§āĻœâ€™ āϟ⧁āϕ⧁ āϰāχāϞ āĻĒāĻžāĻ āĻ• āĻĒāĻžāĻ āĻŋāĻ•āĻžāϰ āϜāĻ¨ā§āϝ āĻšāĻŋ⧟āĻžāϰ āϤāϰāĻĢ āĻĨ⧇āϕ⧇ !

    āĻļ⧇āώ āĻĒāĻžāϤāĻž āĻĒā§œā§‡āĻ“ āϝāĻžāϰ āϰ⧇āĻļ āĻĨ⧇āϕ⧇ āϝāĻžā§Ÿâ€”āĻ āĻāĻ• āĻ…āύ⧁āϰāĻŖāύāĻŽā§Ÿ āĻ—āĻ˛ā§āĻĒāϏāĻ‚āĻ•āϞāύāĨ¤

    240.00300.00
  • GOYENDA: DIFFERENT ASPECTS OF BENGALI DETECTIVE LITERATURE (VOLUME 1)

    01

    The body of Bengali detective fiction, or Goyenda Sahitya, occupies a unique yet underexplored space in the larger landscape of global literary traditions, especially within genre fiction. This genre started in the late nineteenth century and grew throughout the twentieth century, reflecting a mix of cultural, historical, and intellectual influences that have shaped modern Bengali identity. Despite its significant output, ongoing popularity, and deep impact on Bengal’s socio-cultural imagination, Goyenda Sahitya remains largely overlooked in academic discussions.

    344.00430.00
  • KASTURI āĻ•āĻ¸ā§āϤ⧁āϰ⧀

    “Perfume plays a great role in Memoriesâ€Ļ” āĻļ⧁āϧ⧁ āĻ•āĻŋ āĻ¸ā§āĻŽā§ƒāϤāĻŋāϤ⧇āχ? āĻ¸ā§āĻŽā§ƒāϤāĻŋ āĻŽāĻžāύ⧇āχ āĻ•āĻŋ āĻ…āϤ⧀āϤ? āĻŦāĻ°ā§āϤāĻŽāĻžāύ āφāϏāϞ⧇ āϕ⧀? āĻ—āĻ¨ā§āϧ āĻ•āĻŋ āĻļ⧁āϧ⧁ āϕ⧋āύāĻ“ āĻŽāĻžāύ⧁āώāϕ⧇āχ āĻŽāύ⧇ āĻ•āϰāĻžā§Ÿ? āĻŽā§āĻšā§‚āĻ°ā§āϤ āϕ⧀? āϏāĻŽā§Ÿ āĻ•āĻŋ āĻĒāĻžāϰ⧇ āĻ”āώāϧāĻŋ āϖ⧁āρāĻœā§‡ āφāύāϤ⧇? āĻ“āώ⧁āϧ āĻĒāĻžāϰ⧇ āĻ•ā§āώāϤ āϏāĻžāϰāĻžāϤ⧇? āĻ•ā§āώāϤ āϏāĻžāϰāϞ⧇āĻ“ āĻ•āĻŋ āφāϘāĻžāϤ āĻ­ā§‹āϞāĻž āϝāĻžā§Ÿ? āĻ…āϤ⧀āϤ āĻŽāĻžāύ⧇āχ āĻ•āĻŋ āĻ…āĻ¨ā§āϧāĻ•āĻžāϰ? āĻ…āĻ¨ā§āϧāĻ•āĻžāϰ āĻŽāĻžāύ⧇āχ āĻ•āĻŋ āĻ•āĻžāϞ⧋? āφāϞ⧋āϰ āĻ•āĻŋ āϕ⧋āύāĻ“ āϚāϰāĻŋāĻ¤ā§āϰ āφāϛ⧇? āϚāϰāĻŋāĻ¤ā§āϰāĻšā§€āύ⧇āϰ āϚāϰāĻŋāĻ¤ā§āϰ āϕ⧀? āϏāĻžāĻĻāĻžāϰ āĻ•āĻŋ āύāĻŋāϜāĻ¸ā§āĻŦ āϕ⧋āύāĻ“ āϰāĻ‚ āφāϛ⧇?
    āϤāĻžāĻ•āĻžā§Ÿ āϤ⧋ āϏāĻŦāĻžāĻ‡â€“ āĻĻ⧇āϖ⧇ āĻ•â€™āϜāύ? āĻāϤ āĻ•āĻĨāĻž, āĻāϤ āĻļāĻŦā§āĻĻ– āĻļ⧁āύāϞ āĻ•â€™āϜāύ? āĻ¸ā§āĻĒāĻ°ā§āĻļ āĻ•āϰāϞ⧇āĻ“, āϛ⧁āρāϤ⧇ āĻĒāĻžāϰ⧇ āĻ•â€™āϜāύ? āϰāĻ•ā§āϤ āĻŽāĻžāĻ‚āϏ⧇āϰ āĻāϤ āĻļāϰ⧀āĻ°â€“ āĻŽāĻžāύ⧁āώ āĻšā§Ÿ āĻ•â€™āϜāύ?
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  • BRITTYO āĻŦ⧃āĻ¤ā§āϤ

    05
    ‘āĻŦ⧃āĻ¤ā§āĻ¤â€™ āωāĻĒāĻ¨ā§āϝāĻžāϏāϟāĻŋ āĻ­āĻžāϞ⧋āĻŦāĻžāϏāĻžāϰ āϜāϝāĻŧāĻ—āĻžāĻĨāĻžāĨ¤ āϤāĻžāχ āĻļ⧁āϰ⧁ āĻĨ⧇āϕ⧇ āĻļ⧇āώ, āĻœā§€āĻŦāύāϰāϏ⧇āχ āϜāĻžāϰāĻŋāϤ āĻšāϝāĻŧ⧇āϛ⧇ āωāĻĒāĻ¨ā§āϝāĻžāϏāϟāĻŋāϰ āĻāĻ• āĻāĻ•āϟāĻŋ āϚāϰāĻŋāĻ¤ā§āϰāĨ¤ āĻŽā§‚āϞāϤ āϤāĻŋāύ āĻĒā§āϰāϜāĻ¨ā§āĻŽā§‡āϰ āĻœā§€āĻŦāύ āύāĻžāĻŽā§‡āϰ āĻŦā§āϝāĻžāϞāĻžāĻ¨ā§āϏ āĻļāĻŋāϟ-āϟāĻžāϕ⧇ āĻŽā§‡āϞāĻžāύ⧋āϰ āĻ–āϤāĻŋāϝāĻŧāĻžāύāχ āĻāχ ‘āĻŦ⧃āĻ¤ā§āĻ¤â€™ āωāĻĒāĻ¨ā§āϝāĻžāϏāĨ¤ āĻļ⧁āϧ⧁ āĻ•āĻžāĻšāĻŋāύāĻŋāϰ āĻĒāϟāĻŦāĻŋāĻ¨ā§āϝāĻžāϏ⧇ āωāĻĒāĻ¨ā§āϝāĻžāϏāϟāĻŋāϰ āϚāϰāĻŋāĻ¤ā§āϰāϗ⧁āϞ⧋ āĻ•āĻ–āύāĻ“ āφāĻŦāĻ°ā§āϤāĻŋāϤ āĻšāϝāĻŧ⧇āϛ⧇ āχāĻ‚āĻ˛ā§āϝāĻžāĻ¨ā§āĻĄā§‡, āĻ•āĻ–āύāĻ“ āĻ•āϞāĻ•āĻžāϤāĻžāϝāĻŧ, āĻ•āĻ–āύāĻ“-āĻŦāĻž āϘāĻžāϟāĻļāĻŋāϞāĻžāϝāĻŧāĨ¤
    ‘āĻœā§€āĻŦāĻ¨â€™ āĻŦāϞāϤ⧇ āϏāĻŦ āĻ¸ā§āϤāϰ⧇āϰ āĻŽāĻžāύ⧁āώ⧇āϰ āĻœā§€āĻŦāύ⧇āϰ āĻ•āĻĨāĻžāχ āĻŦ⧁āύ⧇āϛ⧇ ‘āĻŦ⧃āĻ¤ā§āĻ¤â€™āĨ¤ āϏ⧇āχ āĻœā§€āĻŦāύ⧇ āĻāĻ•āĻĻāĻŋāϕ⧇ āϝ⧇āĻŽāύ āϰāϝāĻŧ⧇āϛ⧇ āĻĒā§āϰāϤāĻŋāĻĻāĻŋāύ⧇āϰ āϚāĻžāĻ“āϝāĻŧāĻž-āĻĒāĻžāĻ“āϝāĻŧāĻž, āϞ⧋āĻ­, āύ⧀āϚāϤāĻž; āφāĻŦāĻžāϰ āϤāĻžāϰ āĻ āĻŋāĻ• āωāϞāĻŸā§‹ āĻĒāĻŋāϠ⧇ āϏ⧇āχ āĻœā§€āĻŦāύ⧇āχ āĻāϏ⧇ āĻŽāĻŋāĻļ⧇āϛ⧇ āύāĻŋāĻ–āĻžāĻĻ āĻĒā§āϰ⧇āĻŽāĨ¤
    āϚāĻŋāϰāĻžāϝāĻŧāϤ āϏ⧇āχ āĻĒā§āϰ⧇āĻŽāϕ⧇ āϜāĻŋāϤāĻŋāϝāĻŧ⧇ āĻĻāĻŋāϤ⧇ āωāĻĒāĻ¨ā§āϝāĻžāϏ⧇āϰ āϚāϰāĻŋāĻ¤ā§āϰāϗ⧁āϞ⧋ āϤāĻžāχ āĻ•āĻ–āύāĻ“ āĻŦā§āϝāĻ•ā§āϤāĻŋāĻ¸ā§āĻŦāĻžāĻ°ā§āĻĨ⧇, āĻ•āĻ–āύāĻ“-āĻŦāĻž āĻ¤ā§āϝāĻžāϗ⧇, āϤāĻŋāϤāĻŋāĻ•ā§āώāĻžāϝāĻŧ āύāĻŋāĻœā§‡āĻĻ⧇āϰ āĻŦāĻžāϰāĻ‚āĻŦāĻžāϰ āϭ⧇āϙ⧇āϛ⧇; āφāĻŦāĻžāϰ āĻ­āĻžāĻ™āύ⧇āϰ āĻŽā§āϖ⧇ āĻ…āĻ¸ā§āϤāĻŋāĻ¤ā§āĻŦ⧇āϰ āĻļ⧇āώāϤāĻŽ āĻ–āĻĄāĻŧāϕ⧁āĻŸā§‹āϕ⧇ āφāρāĻ•āĻĄāĻŧ⧇ āύāĻŋāĻœā§‡āĻĻ⧇āϰ āφāĻ—āϞ⧇āϛ⧇, āĻ­āĻžāĻ™āĻž āĻœā§€āĻŦāύāϟāĻžāϕ⧇ āφāĻŦāĻžāϰ āĻ—āĻĄāĻŧ⧇ āύāĻŋāϝāĻŧ⧇āϛ⧇ āĻĒāϰāĻŽ āĻŽāĻŽāϤāĻžāϝāĻŧāĨ¤ āĻ…āύ⧁āĻ­ā§‚āϤāĻŋāϰ āύāĻžāύāĻžāύ āϰāĻ‚āĻŽāĻŋāϞāĻžāĻ¨ā§āϤāĻŋ āϖ⧇āϞāĻžāϝāĻŧ āĻœā§€āĻŦāύ⧇āϰ āϏāĻžāĻŽāύ⧇ āĻ…āύāĻžāĻŦāĻŋāϞāĻ­āĻžāĻŦ⧇ āĻļ⧁āϧ⧁ āĻœā§€āĻŦāύ-āχ āĻāϏ⧇ āĻĻāĻžāρāĻĄāĻŧāĻŋāϝāĻŧ⧇āϛ⧇ āĻāχ ‘āĻŦ⧃āĻ¤ā§āĻ¤â€™ āωāĻĒāĻ¨ā§āϝāĻžāϏ⧇āĨ¤ āϤāĻžāχ āĻŽāύ⧇āϰ āĻāχ āϏ⧂āĻ•ā§āĻˇā§āĻŽāĻžāϤāĻŋāϏ⧂āĻ•ā§āĻˇā§āĻŽ āĻ–āĻŖā§āĻĄāĻŋāϤ āĻŽā§āĻ–āϗ⧁āϞ⧋āχ āωāĻĒāĻ¨ā§āϝāĻžāϏāϟāĻŋāϰ āĻāĻ• āĻāĻ•āϟāĻž āĻ…āĻ•ā§āώāϰ, āĻāĻ• āĻāĻ•āϟāĻž āĻļāĻŦā§āĻĻāĨ¤ āĻāχ āĻļāĻŦā§āĻĻāϗ⧁āϞ⧋āχ āωāĻĒāĻ¨ā§āϝāĻžāϏāϟāĻŋāϰ āĻĒāĻžāϤāĻžāϝāĻŧ āĻĒāĻžāϤāĻžāϝāĻŧ āĻāϕ⧇ āĻāϕ⧇ āĻšāϝāĻŧ⧇ āωāϠ⧇āϛ⧇ āύāĻžāύāĻž āϰāĻ‚-āĻāϰ āϏ⧁āϤ⧋āĨ¤ āφāϰ, āϏ⧇āχ āϏ⧁āϤ⧋ āĻĻāĻŋāϝāĻŧ⧇āχ āύāĻŋāĻĒ⧁āĻŖāĻ­āĻžāĻŦ⧇ āĻŦā§‹āύāĻž āĻšāϝāĻŧ⧇āϛ⧇ ‘āĻœā§€āĻŦāĻ¨â€™ āύāĻžāĻŽā§‡āϰ āωāĻˇā§āĻŖ āϚāĻžāĻĻāϰāϟāĻŋ— āϝāĻž āĻĒāĻžāĻ āĻ•āϕ⧇ ‘āĻ“āĻŽâ€™ āĻĻ⧇āϝāĻŧ; ‘āĻœā§€āĻŦāĻ¨â€™ āĻļāĻŦā§āĻĻāϟāĻŋāϰ āĻĒā§āϰāϤāĻŋ āĻ•āĻŋāϛ⧁āϤ⧇āχ āĻšāϤāĻžāĻļ āĻšāϤ⧇ āĻĻ⧇āϝāĻŧ āύāĻžāĨ¤
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  • SWABAK

    • Author : Bibekananda Chatterjee
    • Cover Designer: Santu Karmakar
    184.00230.00

    SWABAK

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  • NIRBACHITO NIRBASAN

    01
    • Author & Illustrator: Suman Nisith Pati
    • Cover Designer: Arpan
    120.00150.00

    NIRBACHITO NIRBASAN

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  • SUSOMOYE BHALOBASA HOBE

    • Author : Ritam Sen
    • Cover Designer : Koustabh Chakraborty & Manojit Nandi
    120.00150.00

    SUSOMOYE BHALOBASA HOBE

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  • SAMANYA JOLER NESHAI

    • Author : Arindam Mukhopadhyay
    • Cover Designer : Deep Sekhar Chakraborty
    120.00150.00

    SAMANYA JOLER NESHAI

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  • DOTARA

    • Author : Raja Bhattacharjee
    • Illustrator : Anushtup Sett
    • Cover Designer : Anushtup Sett
    200.00250.00

    DOTARA

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  • ITIHASER DUKHI BHUTERA

    • Author : Soma Raychaudhuri
    • Cover Designer : Abhibrata Sarkar
    • Illustrator : Onkarnath Bhattacharya & Rituparna Khatua
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    ITIHASER DUKHI BHUTERA

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